By Matteo Pasquinelli
In the course of a time whilst pop stars turn into well-known due to intercourse tapes which were leaked on-line, it's transparent that the web isn't resistant to the draw of the media. but artwork, academia and activism proceed to advertise the web as an untouched utopia. Animal Spirits: A Bestiary of the Commons addresses the double usual dominating modern media discourse and shatters the myths of inventive commons, loose software program and open-source activities, suggesting that "free tradition" is an fiscal parasite siphoning cash via peer-to-peer networks. Theorist and electronic fetishist Matteo Pasquinelli makes use of the metaphor of the animal body--which Paul Virilio has characterised as instinctual and reactionary--to counter what he sees as a capitalist exploitation of collective imagery, calling for an intensive new realizing of the forces at paintings in the back of the electronic economic system and cultural construction.
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Extra resources for Animal Spirits: A Bestiary of the Commons
Is it possible to move beyond the impasses of the postmodern and its dialectical symmetries that parcel out technology, new commons and the collective imaginary as separate or independent spheres? Deleuze and Guattari’s analysis of revolutionary investments (their notes in Anti-Oedipus on the unconscious fascism of some left-wing groups) was one of the first topologies of the ambivalence of the political desire. Accordingly, the strategies of over-identification described by BAVO are only possible because of this ambivalence of desire (before any ambivalence of language that Žižek may identify in the dominant code).
In a second crucial turn, Virno defines the sphere of culture itself – that is Enlightenment and all the modern celebratory conceptions of creativity – as an extension of natural aggressiveness. indd 32 02-12-2008 13:41:57 the dark side of the multitude fect and amplify them. Indeed: the greater the spirit, the greater the beast. The relation between rationality and civilization is, of course, never as linear as expected. In particular, the malicious liaison between rationality and totalitarianism is clearly evidenced by the twentiethcentury concentration camps.
This asymmetry is the coordinate of profit, rent and speculation, but also the coordinate of political resistance and sabotage. The stratification of matter and human activity is crossed by a living energy that is constantly accumulated, parasitized and sabotaged along asymmetrical forms and frictions. The history of the common is the history of a surplus of living energy. The biomorphic unconscious of cultural commons and digital networks is still fundamentally the law of energy. indd 52 02-12-2008 13:42:51 Chapter ii The Parasite of The Commons: Digitalism and the Economy of ‘Free Culture’ The parasite invents something new.
Animal Spirits: A Bestiary of the Commons by Matteo Pasquinelli