By Daniel Croles Fitjar
In Balancing the World, the writer illuminates what an ajq’ij, or «daykeeper», is via proposing fabric he accumulated in a sequence of interviews with practitioners of Maya spirituality. usually classified as Maya clergymen, shamans, non secular publications, or maybe witches, the boys and girls known as ajq’ijab do quite a few paintings to aid their viewers, their ancestors, the spirits and the area itself. 9 interviewees from the Quetzaltenango zone within the Guatemalan highlands inform approximately how they therapy and stay away from ailment, practice divinations, converse with the ancestors and do their half in balancing the realm. such a lot of them agree that they've been selected for this accountability and so they see it as either a present and a burden.
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Extra info for Balancing the World: Contemporary Maya ajq’ijab in Quetzaltenango, Guatemala
This makes it difficult to recognise them for most people, but they may still be recognisable to some of the other members of Manuel’s group, for instance. Any names of persons or places mentioned by the interviewees have also been removed from the text, with the exception of the city of Quetzaltenango; cf. Fonneland, “Kvalitative metodar,” 232. 34 Most houses were small and consisted of one or two rooms, so avoiding other people would be nearly impossible. We would try to find a spot that was as private as possible, but only as long as the interviewee was comfortable with it.
11 - Isabela According to Isabela, an ajq’ij is a “natural talent” who just knows what he or she is doing. 12 None of the others made this distinction between ajq’ij and the Spanish translations, and by Isabela’s definition, none of the interviewees would be ajq’ijab, as they all had had teachers. Isabela also told me that most people called her ajq’ij anyway, and that she had no problem with them doing so – she just does not use the term to describe herself. It is possible that this is a regional difference, as Isabela originally was from another part of the K’iche’ area than the rest and only recently had moved closer to Quetzaltenango.
London: Routledge, 2007): 41–63. 31 See for instance Chapter 7 below, where Juan’s answers deviate from the general opinion of the rest of the group. 19 Conducting interviews For the interviews, I had prepared a questionnaire with several questions, sorted under broader themes. I would start to discuss a certain theme with the interviewee, and try to let her or him bring up what they felt was most important regarding that theme. The questions sorted under each theme functioned like a check list, to see if we had covered all topics within the theme.
Balancing the World: Contemporary Maya ajq’ijab in Quetzaltenango, Guatemala by Daniel Croles Fitjar