By Rebecca Krinke
Contemplative panorama and contemplative area are normal phrases within the parts of layout, panorama structure and structure. Krinke and her very hot individuals got down to discover definitions, theories, and case stories of contemplative landscapes. The members, Marc Treib, John Beardsley, Michael Singer, Lance Neckar, Heinrich Hermann and Rebecca Krinke have spent their careers discovering, critiquing, and making landscapes. the following they examine the function of contemplative area in a post-modern international and think about the effect of nature and tradition at the layout or interpretation of contemplative landscapes. The essays, drawn from either scholarship and private adventure discover the hyperlinks among areas designed to supply healthiness merits and contemplative area.
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Extra resources for Contemporary Landscapes of Contemplation
151. 26 In Art & Existentialism, Arturo B. Fallico writes: [T]he inspection of the object must lead back to the intending observer whose thought about it deﬁnes the object he is observing. It necessarily follows that the description of an object must disclose something about the subject, even something of his very condition of being. (p. 8) 27 Paul Reps, compiler, Zen Flesh, Zen Bones, New York: Doubleday, not dated, pp. 42–43. 35 On the transcendent in landscapes of contemplation Heinrich Hermann Introduction For as long as humans have designed their world, they have produced some exceptional environments that stand out by not merely meeting physical/ utilitarian needs, but by addressing the plane of higher human aspirations – the emotional, intellectual, and spiritual levels.
To visit The Lightning Field is a somewhat involved process: you are taken to the site in mid-afternoon, remain on the land over night, and are retrieved about noon the following day. De Maria reworked an old rancher’s cabin on the site into a place of rather sophisticated rusticity. It sleeps about 27 Marc Treib six people. When our group arrived one Halloween afternoon the site was muddy from days of rain; the air was still mild. Negotiating The Lightning Field was difﬁcult as shoes stuck to the mud as if it were some sort of earthen epoxy.
There is no sociocultural context to be read or discovered, unlike in photographs of people in front of paintings in museums. Standing in front of the façade of the cathedral in Milan, one experiences oneself as a human being deﬁned by speciﬁc social and historical conditions. 25 Which returns us to the nature of contemplation, perhaps again cast as an existential exercise. 26 There are numerous stories of Zen masters and Zen practice that have come down to us, many of which are highly provocative in themselves.
Contemporary Landscapes of Contemplation by Rebecca Krinke